In a move that's got the entire hip-hop world buzzing like a swarm of angry bees, Memphis rapper NLE Choppa – now rebranded as NLE The Great – has taken his fiery feud with NBA YoungBoy to unprecedented street-level warfare. Just days after dropping his blistering Halloween diss track "KO," Choppa escalated the beef by erecting massive billboards promoting the song smack dab in the heart of YoungBoy's hometown: North Baton Rouge, Louisiana. Videos of the provocative ads, glowing under the night sky in YB's own neighborhood, have exploded across social media, racking up tens of thousands of views and sparking heated debates about whether this is genius marketing or a dangerous provocation that could spill into real-world drama.
The billboards feature striking imagery from the "KO" single cover: a black-and-white shot of Choppa triumphantly holding up a severed head eerily resembling NBA YoungBoy, complete with bold text hyping the track as a straight-up knockout blow. One viral clip shows a driver cruising past the sign at night, with the overlay screaming, "NLE Choppa puts up a billboard for his NBA YoungBoy diss 'KO' right in YoungBoy’s hometown of Baton Rouge ." Another video captures a fan in a red tracksuit bowing mockingly in front of the billboard, as if paying homage – or throwing shade – while the ad looms large in the background. "This is next-level trolling," one X user commented, while others warned, "YB's block ain't the place to play like that." The locations? Reportedly in Top's (YoungBoy's nickname) own North Baton Rouge stomping grounds, turning everyday commutes into unavoidable reminders of Choppa's lyrical assault.
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To understand how we got here, let's rewind to the track that started it all. Released on October 30, 2025, "KO" is a no-holds-barred onslaught built over the iconic Dennis Edwards sample from 2Pac's legendary "Hit 'Em Up" – the same beat that fueled one of rap's most infamous disses. Choppa doesn't hold back, name-dropping YB repeatedly and painting him as a toxic influence on the youth. Key bars include: "YoungBoy, what? This the big boy league / I put one up in your gut under the Jesus piece / Last thing that I heard was ‘Jesus, please’ / Had me looking at the devil like ‘This is your king?’" He doubles down in later verses: "You poison the youth / Nun positive you do / I’m in love with the art / He tearing people apart." The music video amplifies the savagery, with Choppa channeling Michael Jackson's dance moves and 2Pac's intensity while brutalizing a YoungBoy lookalike – from beatdowns to a dramatic decapitation scene. Choppa even worked with MJ's real choreographer, Travis Payne, for authenticity, turning the visual into a cultural mash-up of homage and hostility.
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This isn't Choppa's first rodeo with controversy, but the Baton Rouge billboards have cranked the heat to boiling point. Sources close to the promotion reveal it's part of a massive rollout: national billboards in major cities, limited-edition collectible CDs, and exclusive merch drops timed for Halloween. "This ain’t a fire drill. I’m standing on everything I’m saying. I stamp it," Choppa posted on Instagram Stories, doubling down amid the backlash. Fans are split – some hail him as a "Grim Reaper" cleansing hip-hop of negative vibes, while others accuse him of hypocrisy, pointing to his own explicit past hits like "Slut Me Out." YB loyalists are furious, flooding timelines with claims of bot-driven streams for "KO" and memes mocking Choppa's shaved-head "spiritual" rebrand.
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The roots of this beef trace back to 2022, when NBA YoungBoy fired subtle shots at Choppa on "Know Like I Know" after NLE defended the late King Von amid YB's ongoing feud with OTF. Choppa downplayed it then, even dropping pro-YB tracks like "Free YoungBoy" in 2019. But something shifted. Insiders speculate Choppa's recent spiritual awakening – complete with Yahweh references and calls for positive change in rap – fueled this attack. "Yahweh sent me to decease em / So I’m the reaper to greet em," he raps on "KO," positioning himself as a divine enforcer. Yet, YB's camp isn't staying silent. The Baton Rouge star's mother, Sherhonda Gaulden, jumped into the fray with cryptic Instagram Stories shading Choppa's appearance and sexuality, likening his bald head to an "eggplant without the rubber." Internet reactions? "Sheronda ate," went viral, with fans praising her savage clapback.
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As of November 2, 2025, NBA YoungBoy – fresh off his MASA Tour – hasn't dropped a direct response track, but his silence is deafening amid the billboard blitz. Social media is a warzone: #KOvsYB trending with over 50,000 posts, fan edits pitting the two against each other, and even commentator Charleston White weighing in, shockingly siding with YB while clowning Choppa's "bad b*tch" vibes. "You disqualified from saying anything to Kentrell," White ranted in a viral clip. Streams for "KO" are climbing, but YB's die-hards are pushing back hard, organizing boycotts and flooding Choppa's comments with grave emojis.
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Industry experts are watching closely. With no rap songs in the Billboard Hot 100 Top 40 for the first time in decades, Choppa's old-school diss tactics echo the golden era of beefs that built legends like Pac and Biggie. But in 2025's hyper-connected world, is this bold strategy propelling Choppa to new heights or inviting unnecessary danger? Baton Rouge locals report increased chatter in the streets, with some YB affiliates allegedly spotting the billboards and vowing payback. Police haven't commented, but tension is palpable.One thing's clear: NLE Choppa isn't backing down. From spiritual guru to street provocateur, he's betting big that "KO" will be the punch that reshapes his legacy – and maybe dethrones the Never Broke Again king. As videos of those glowing Baton Rouge signs continue to circulate, the question on everyone's mind: Will YB strike back with bars, or let his actions in the streets do the talking? Hip-hop beefs have sparked revolutions before – is this the one that reignites the culture's fire? Stay tuned, because this knockout round is just getting started. The streets are watching, and so are we.
